open and ran like hell. This is more intriguing Jolley/Reynolds surrealism after their initial shorts, but it feels like a stretched out short and doesn't develop or satisfy like, say, Eraserhead. This is definitely a cult movie and would only appeal to taylormade coupon the kind of people you wouldn't want to have anything to do with. Slowly his life becomes a movie as the cameras become fake, and his life shows its seams with gaps of 'Missing Scenes disorientation and surreal cuts. The man says "I was born and raised by lesbians. Manuli has them interact always in strange scenes with strange dialog, acting-out their roles as only archetypes can do, each seeing in Kaspar something that they want to see. It isn't creative like a Lynch movie, you don't really care about any of the losers and freaks in the movie or what is going to happen to them, and the trippy camera work and editing tricks just become tiresome fast.
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Brings to mind a much more bizarre Tati movie. The gruesome horror and atmosphere is quite effective, but strictly designed for visual and primitive effect rather than for engaging the mind. None of these themes and plot-lines are developed however, and the extremely choppy editing make this a chore to sit through. Two men enter a house where they can peer through the looking glass into various rooms full of oddities: Wind-up mostly-naked human toys jittering on stage, strangely costumed and colorful drag-queens or transsexuals, some bizarre sci-fi settings and props, nuns and bishops getting. It explores themes of stolen or borrowed identities, people that live without their own identity, a breakdown of self-understanding, society and civilization as potential maladies, people that try to rebuild again after their self has been broken or stolen, and their emotions or connections with. The story involves a Christ-like figure in a gas mask on a quest with a treasure map that depicts a treasure chest with the word 'truth' on it (I kid you not). The story revolves around a mysterious Dingo woman (a playmate) who spends most of the movie dressing and undressing while most of the cast try to bed her for different reasons.
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